Wednesday, October 22, 2014
As for Lullaby Trial, I am pleased to report I am about 75% complete with the draft. I know have the ending all ironed out and have the transition from Lullaby Trial to Chained Harmony (Book 3) all planned out. Also, my live research for Drum Giants (Book 4) has officially embarked on phase 2 (a.k.a. I had my baby and now have the privilege of making Clara's story very realistic).
On that note, I have a screaming child to attend to. More to come :D
Friday, March 28, 2014
Yesterday, I was talking to my family and I said, "of all the wars the United States has ever been involved with, the Civil War and World War II are the hardest for me to accept." The Civil War is the only war I am thoroughly ashamed of and World War II has always turned my stomach.
Thinking on my statements, I believe I may have identified precisely why I have always felt this way. I never rejected the Civil War because of slavery, I did not favor one side over the other for any known reason I can think of. My objection to the Civil War was the division of a nation in such a catastrophic fashion that brothers were literally on opposite sides of one of the most gruesome wars in American history. Battlefields dripped red and bodies were so thick, you could walk from one side to the other without touching the ground. I can rationalize fighting an enemy I have never shared a meal with, but aiming a cannon at my own brother seems beyond me.
Similarly, the trench warfare in World War II has always sickened me. It was the first time chemical weapons were used and the devastation was unilateral. Pictures or paintings from these wars have haunted my dreams.
In Silent Symphony, I deal with death of a beast like any hunter. It had to be done, so it was and the characters survived. But when it comes to the death of a character, will I handle writing the scene or will I make myself sick just thinking about it. My story is highly visually motivating; can I make a death scene the same caliber of experience I have used thus far?
Sunday, March 23, 2014
Saturday, March 22, 2014
Wednesday, March 12, 2014
The biggest thing holding Silent Symphony back right now is my ability to pitch it, yet everyone who has read it thus far has said it was great. I think my biggest weakness is trying to find selling points others might like that could be marketable, but all I am coming up with is a young adult romance similar to Twilight.
My story is about a girl orphaned and outcast from society at three. She wants nothing more than to tend her garden and be ignored. But when a lost Bard escapes a fate worse than death, she risks her life to save his.
From there, her life begins to snow ball, picking up momentum and stray friends as she hurtles through countless physical, social, and emotional challenges. Using her song as a weapon, she quickly surpasses every expectation. In the end, she follows in her parents' footsteps, braving unparalleled beasts to defend everything she cares about.
The second book unveils the causality behind the greatest threat to the Village, unmasks the one responsible, and forces the party to question their own morality and their loyalties.
The third explores a dichotomy in social structures identifying the mechanisms behind an ancient feud. It evaluates the impacts of technology on a society dominated by magic and exposes the underlying threats the party inadvertently released.
The fourth concludes the series in a cataclysmic battle requiring hard decisions, agonizing sacrifices, brilliant strategic manipulation, and internal coordination. In this final book, the party must decide the fate of two societies, their families, and their own harmonies.
I have the first book done, am about half way through writing the second, and know the major plot points of the remaining two. If only I could find a way to make the first book sound as heart pounding and visually dynamic as it is so someone else would want to read it. Anyone have any successful query letters and synopsis they wouldn't mind sharing?
Friday, February 21, 2014
"How have you been? I've been really busy...being dead...you know, after you murdered me!" Ok, so I couldn't help myself. Portal 2 references just seemed fitting after such a long absence.
I needed to take some time, to reflect on what I wanted to do with my book. For a while, I lost interest in the idea of publishing. I found an agent I really liked, an agent I felt I could relate too and understand. I submitted my work to her around the beginning of December. She got back to me right around Christmas. She was very polite in her rejection and I appreciate her taking the time to bother with my work.
Sadly, when it was all said and done and I began looking for another agent, no one quiet jumped out at me like she did. Jennifer Jackson is the Vice President of Donald Maass Literary Agency, and pioneered the acceptance of women's literature within the Agency. She keeps a blog and periodically shows her readers the statistics for queries she receives. She asks from input from her audience on how best to improve her posts for writers. I haven't found a single other available agent that goes to these lengths and guarantees a response. I really like her style and ethic. I just wish I could have captured her attention as much as she captured mine.
But now I need to move on. I am looking into Momentum, an all e-book publishing house an Australian author friend of mine published through. I doubt I will get very far, but I at least need to try.
If you are still out there, dear reader, thank you for your patience. And hopefully Silent Symphony will see publication soon.